Monday, November 03, 2014

The best new albums of the month, October 2014 edition

If you are the sort of person inclined to chop up your year into monthly chunks, you know that some months are better than others. And in 2014 terms, October astrides this calendar year like a collossus. The overall quality meant that it was harder than ever to keep the list to ten choices only, and as I listened to roughly double my monthly amount and had more reviews published than usual, I have gone giddy and selected 15 albums. Enjoy.


Vashti Bunyan 'Heartleap'
my review (the 405)
"Vashti has said that Heartleap will be her final album, and with that statement it is as if she has come full circle. For someone who walked away from the music business at the age of 25, it is fitting that she has bookended her career with this album. It has been made on her own terms and in her own time, with her in total control of the finished product. In other words it is a total re-establishment of the self-confidence that she lost in the '60S. Best of all, Heartleap works superbly as a collection of songs, and can only serve to extend and preserve her legacy."


A Winged Victory for the Sullen 'Atomos'
my review (the 405)
"Apparently conceived and performed over a relatively short time span, Atomos is a very powerful work and one which could well bring modern classical music to the attention of people with only a passing interest in it, in much the same way as Philip Glass and Steve Reich have done. It's a beautiful record which well worth your attention."


Wrekmeister Harmonies 'Then It All Came Down'
my review (the 405)
"Then It All Came Down was premiered last year in the National Bohemian Cemetery in Chicago, under a full moon. When you hear it, that all makes sense. The natural yet eerie setting, surrounded by reminders of mortality, and the potential interest in the occult. This is a superbly assembled piece, with a great grasp of dynamics and an understanding that its subtle moments can be just powerful as those times when it becomes a complete aural assault. Then It All Came Down is a noisy beast, but it is a beautiful one too."


The Twilight Sad 'Nobody Wants To Be Here and Nobody Wants To Leave
my review (the 405)
"This fourth album comes across as a consolidation of the edgy noise of their early records and the electronic aspects of its predecessor. They sound as powerful as ever, and their penchant for weaving subtle folk melodies amongst their noise is still pretty special. Nobody Wants to Be Here and Nobody Wants to Leave is a highpoint for the Twilight Sad and in many ways it is the best record they've made to date."


Scott Walker and SUNNO))) 'Soused'
A controversial record of course, but a brave and brilliant one as well. Despite the fact that it sees the enigmatic Scott join up with the experimental doom-metal of Sunn0))) this seems like a step away from his very challenging Avant Garde trio of albums. Sunn0))) play with a fairly straight bat, hitting the fuzz when they need too, and the main eyebrowing raising moments come from Scott's barmy attempts at poetry.


Allo Darlin 'We Come From the Same Place'
Personally I never thought Allo Darlin were that "twee" so it is odd to read reviews which say they have grown up. This album was created with the members living in different countries for the first time, due to Elizabeth leaving the UK. Musically and lyrically however, We Come From the Same Place carries on where its fine predecessor Europe left off. There are some lovely lyrical gems and some decent tunes, and if anything has changed it is that Elizabeth's voice sounds more confident and established. Maybe that's what people mean by sounding grown up. Hear for yourself...


Grouper 'Ruins'
It's early days but this already seems like a very special record. Grouper aka Liz Harris nearly always works alone, but this time she has dispensed with any artificial studio work and recorded four long sad songs with just voice and piano in a seemingly untreated room. There are many incidental sounds that are picked up - thunder and rain, crickets and the ping of a microwave - it is quite a revealing listen on headphones. The songs themselves are sad and beautiful, and overall Ruins is pretty wonderful.


Azar Swan 'And Blow Us A Kiss'
my review (the 405)
"Azar Swan have set out to make a pop record and have succeeded. Currently there is so little darkness and experimentation within the world of pop that And Blow Us A Kiss comes across as a genuinely exciting record, and one which shows a lot of their contemporaries in the worlds of the goth/industrial/dancefloor crossover that they have plenty of tricks up their sleeve."


Flying Lotus 'You're Dead'
When FlyLo emerged last decade people became aware of his jazz heritage and the family connection with Alice Coltrane. However, 'You're Dead' is the closest any of his records has got to jazz, albeit in a free-form freaked-out version. The psychedelic touches are there of course and that frustrating, teasing way that he flips away from one idea before it is really finished with is still in evidence as well. The title does hint at a fairly morbid effort, and it does get darker than he has before, but ultimately it is well worth hearing for the adventurous and ambitious turns that the music takes.


Run the Jewels 'Run the Jewels 2'
Run the Jewels debut appeared out of the blue and - like this one - was given away free over the internet. At the time it seemed like a one-off but after a couple of successful tour and a great reaction to that debut, the duo of El-P and Killer Mike have released a follow-up. Album two continues where the debut left off, though this time around it flows even better, and sits together as a set really well.


Jane Weaver 'The Silver Globe'
This is Jane Weaver's sixth solo album, and although some people may know her as a folk influenced musician, The Silver Globe is a concept album taking its name from a Polish sci-fi film - yet it manages to be both a coming of age tale and a romantic paean, though I haven't quite got to grips with the story yet. It goes heavy on the synths and prog touches, yet equally unafraid of pop melodies. There are some gentle subtle songs, some electronic noodling and this tune, which sounds like Can and Hawkwind at the same time...


Thurston Moore 'The Best Day'
The most Sonic Youth sounding effort from any former Sonic Youth person to date, and I don't think many people would complain about that. It is half of SY of course, as Thurston is joined by Steve Shelley on drums, whilst Deb Goodge from My Bloody Valentine and James Sedwards from Chrome Hoof form the rest of the four-piece. This time Thurston has side-stepped the obvious noise, improv and folk stylings of his recent projects to make a damn good rock record. It isn't all straight SY songbook though, and the likes of the drone-folk piece 'Tape' show that those other influences are never far away.


Iceage 'Plowing Into the Field of Love'
I haven't gotten on with Iceage's records to date, but 'Plowing Into the Field of Love' is totally different to anything they've done before. So much so that a lot of their fans have turned their noses up at it. In contrast to their earlier efforts, this time the singer has adopted an unhinged Shane McGowan style delivery - not quite in tune - and the music is a rich cacophony of edgy 80s acts like The Gun Club, Crime and the City Solution and the Bad Seeds. Brave to see a band completely change tack, and I hope they can gain some new fans in the process.


Caribou 'Our Love'
The contented Caribou album. A record all about love, and consequently one that is more in touch with Dan Snaith's equallty great Daphni project than previous Caribou releases. It is joyous, dig in!


Heat Leisure 'III & IV'
I'm on a mission to reclaim the word 'psychedelic' from the epidemic of garage bands, so this is the second psychedelic album in the list, after Flying Lotus. Heat Leisure are a collective featuring both of Guardian Alien, the Pontiak brothers and Steve Stromhier from Beach House and these two long pieces owes a debt to the early records of Can and Amon Duul II. The voice which introduces the whole thing is the original Merry Prankster, former Grateful Dead MC Ken Babbs, who has contributed a long monologue. The rest is a joyous, often improvised jam.

Thursday, October 09, 2014

The best new albums of the month, September 2014

Release schedules usually mean that it's easy to pick 10 albums in the summer months, while the Autumn and New Year sees so many releases it is hard to limit the list to 10. Step forward September, which always manages to overwhelm me. This time it was even worse as I had no laptop for half of September and I only got to hear 29 of the 33 albums I had on my long list. I can't quite believe that I haven't got around to people like Laetitia Sadier and Thom Yorke yet, but that's why they are missing from the 10.

Holy Sons 'The Fact Facer'
my review (the 405)
"The Fact Facer applies variety and imagination throughout, which doesn't dilute the melancholy, yet ensures that the album doesn't become an overbearing listen. If anything it is the opposite, as the band are full of surprises and Emil Amos's voice is often a joy to hear. By the end of the album you can scarcely believe that this man is the drummer in Om."



Camera 'Remember I was Carbon Dioxide'
my review (the 405)
"Whilst there is no escaping the Krautrock influences, Camera have at least updated that sound with their own imagination, punky energy and a willingness to progress. If you enjoy the music of those German bands mentioned at the start of the review, you should get something out of this energetic 21st reboot of the genre."



Karen O 'Crush Songs'
I guess it's deliberate that the demos that make up 'Crush Songs' are barely there, recorded in a single take and often only about a minute long. The melodies are simple, delicate, and the instrumentation is mostly just a roughly recorded acoustic guitar, though there are little beats dotted around. It is a glimpse into her private emotions and manages to sound and feel like exactly that.


Tweedy 'Sukierae'
A double album created by Wilco's Jeff Tweedy and his son Spencer, this is a lot better than I thought it would be. Spencer is a clearly a great drummer and his work on this manages to leave as distinctive a stamp of some of this material as his Dad's voice does. 20 songs as well, which are much more than Wilco cast-offs, in fact some of them are superb.


Aphex Twin 'Syro'
A much acclaimed return for Aphex Twin, with an album more succinct than its predecessor 'Druqks'. It immediately sounds like Aphex, though some of the edginess, crazier aspects have been tempered in favour of fairly accessible, almost house-influenced tunes.



Half Japanese 'Overjoyed'
I can't remember the last time that I listened to a full Half Japanese album, but I'm thrilled that they are such good form here. Cracking guitar sounds, the usual dubious rhymes in the lyrics, and Jad Fair is completely in your face throughout.



Shellac 'Dude Incredible'
Anyone was has seen Shellac in the last few years will be familiar with some of these songs. This album is one of their most immediate - and time will tell if it's amongst their best. Naturally it sounds brilliant, and quirky as well, with an a cappella opening on side 2 and more songs about surveyors on one album than anyone else has ever written.
(Obviously no Spotify on this one, but some chancer has put some of it on youtube, see below)



Sea Pinks 'Dreaming Tracks'
Relative unknowns in this list of heavy-hitters, Sea Pinks hail from Belfast and have a neat line in indie-pop, with nods to the heyday of Postcard records. Their fourth album, but the first to be recorded in the studio with a full band, complete with cello to add a bit of melancholy. Some strong songwriting, and the tracks flow really well together.



Perfume Genius 'Too Bright'
It took me longer to get into this than it had with his previous albums, first impressions were that the greater ensemble of musicians made PG's music more robust, less fragile. The songs do get under your skin in a pleasant way after a few listens, though the tracks with more dynamic range come across better



Tricky 'Adrian Thaws'
Not a perfect album by any means, but it's a sprawling, surprising effort by Tricky, hot on the heels of last year's False Idols. Random nods to past influences with a cover of Janet Kay's Silly Games and a cheeky Massive Attack steal. 


Wednesday, September 17, 2014

Embedded: Slowthrills double edition no.2

Slowthrills double edition no.2 by Slowthrills on Mixcloud


This is the second long show, intending to highlight some of the best new music that has come our way in the latter half of the summer. The next series of podcasts/ radio shows will be shorter in length and more frequent, so look out for those in October. Tracklisting is below, thanks in advance for listening and sharing.

Second double edition Aug-Sep 2014
1. Chem Trails – Spider Bags
2. Archie, Marry Me – Alvvays
3. Falls Away – Childhood
4. Stamford Hill – Mazes
5. Dartford Tunnel – Splintered Man
6. Dripping – Blonde Redhead
7. Salo – Analogue Wave
8. In Love With Useless – A Sunny Day in Glasgow
9. Overdrive feat. Ummagma – Sounds of Sputnik
10. This Once – Acre Tarn
11. A Mirror in my Mouth – Susanna and Jenny Hval
12. Welsh Corgis in the Snow – Mary Lattimore and Jeff Zeigler
13. Seven Year Glitch – Rumour Cubes
14. Unshaven Boozer – David Thomas Broughton
15. Doomed Myself – Holy Sons
16. Tender is the Night – Robyn G Shiels
17. Mister Skeleton – Grumbling Fur
18. Out for the West – Castanets
19. Guidance – Meter Bridge
20. Forerunner Foray – Shabazz Palaces
21. The One – The Bug
22. De Bom Bom – Girl Band
23. Sea Sick – Dot Dash
24. Synchron – Camera

Thursday, September 04, 2014

The best new albums of the month, August 2014

Well this was a tough one. There should probably be twelve or thirteen albums on this page, but I'm sticking with my "ten-per-month" rule. I guess that just means I like these just that bit much more. September is going to be even harder as there are hundreds of albums set for release, but for now, dive in and enjoy my picks for August.

The Bug 'Angels and Devils'

A huge release on which Kevin Martin, the mastermind behind the Bug, stretches the boundaries of dub reggae, hip-hop and industrial noise even further than on the previous album London Zoo.
Its musical range is wide, and the list of collaborators is impressive. We get the gentle touch of Liz Harris (Grouper), the foggy fuzz of Gonjasufi, and star turns from both Flowdan and Warrior Queen.
Martin weaves it all together and creates something that is thrilling, important and very 2014.



Grumbling Fur 'Preternaturals'

Dan O'Sullivan and Alexander Tucker's previous album under this name, Glynnaestra, was well received. Preternaturals is probably even better. It is brief in duration, and some of the tracks are simply bridges between the longer songs, but when they do weave their magic into a full piece it really works. Pitched somewhere on the strange hinterland between the likes of Depeche Mode and New Order, and "electric Eden" style psych-folk, this is an essential listen.




FKA twigs 'LP1'

These selections usually tend to skip the obvious releases, but this debut is impossible to ignore. LP1 manages to combine lots of standard influences (pop, RnB, hip-hop) into something rich, dense and challenging. If you're familiar with last year's EP releases, LP1 runs even deeper into that skewed and emotionally charged vibe. Comparisons to Bjork, Tricky et al, are valid, mainly because FKA twigs is pursuing an individual yet fully realised sound. Easily one of the debuts of this year.



Childhood 'Lacuna'

Another great debut, though this time firmly in the indie-rock/ shoegaze vein. This isn't a case of noise overload though, and strong melodic hooks are present on every track. At times the band's influences are obvious, but Childhood have a few tricks of their own up their sleeve. By varying the tempo and throwing in the odd melodic twist, they've made 'Lacuna' stand out from the rest of the pack.





Susanna/ Jenny Hval 'Meshes of Voice'

On paper, these two seem to have little in common other than their Norwegian nationality, but it is the conflict between their two styles which makes Meshes of Voice such a special collaboration. This work was created for a live performance at Ladyfest in 2009 and it consists of 15 interconnected pieces which form a modern day saga, for want of a better word. The fact that it can move from beautiful, almost classical passages to noisy art-rock whilst still maintaining its flow, is hugely impressive.



A Sunny Day in Glasgow 'Sea When Absent'

Their fourth album, and easily their best, sees A Sunny Day in Glasgow overcome their geographical differences (the members were split across Australia and the USA) to sound more like a band than ever. They are still firmly within the shoegaze sound although there is a euphoric side to some of these songs. The production by Jeff Zeigler (War on Drugs, Vile) may have something to do with it, although the songs still retain that busy, cluttered feel that is familiar from their earlier records.



Adult Jazz 'Gist Is'
It took quite a few listens to convince me on this one. Adult Jazz have an almost abstract approach to songwriting, with tempo changes and twisting multi-layered melodies. There are definite jazz touches but there's also a big Dirty Projectors influence. Every listen to this album offers something new.


Rumour Cubes 'Appearances of Collections'

An impressive instrumental album from this London based six piece. Violin and viola carry all the melodies and the fact that these strings have a powerful rock band driving them along will lead to comparisons to the usual post-rock suspects. However, the sheer beauty of many of the tunes and the skill of the band in taking the route away from bombast and cliché, make this an album should try to seek out.



The New Pornographers 'Brill Bruisers'

Saying that an album marks a “return to form” is a cliché of course, but that's exactly what Brill Bruisers is. AC Newman, Neko Case and Dan Bejar bring their individual talents back to the group, and on the first few listens it sounds like this could hold its own with any of their back catalogue. Brill Bruisers consists of mostly uptempo material, and sounds like it was much fun to make as it is to listen to.





Ty Segall 'Manipulator'
After a prolific streak over the last few years, Ty Segall stepped out of character to spend 14 months working on this double album. That work has paid off, as the album packs a punch, and across the 17 tracks the influence of 70s glam - in particular Bowie and Bolan- weighs heavier than that of 60s garage.
No tracks to stream as Drag City don't really do that, but here is a nifty vid to promote the album.


Friday, August 08, 2014

Embedded: Slowthrills summer double edition no.1

As you've probably noticed, the radio/ mixcloud side of the blog has taken a bit of a break over the summer. Normal service should resume in September. Meanwhile here is the first of two longer-than-usual shows, 33 tracks, half submissions and half material that I have just stumbled upon. Tracklisting is on the mixcloud widget, but for the benefit of people searching for certain acts, I have pasted it below as well. Enjoy!

Slowthrills summer double summer edition no.1 by Slowthrills on Mixcloud


1. Black and White - Parquet Courts
2. Bitter Branches - Static In Verona
3. Regan's Lost Weekend - Happyness
4. Magazine - the Proper Ornaments
5. No coast - Braid
6. Trembling Moon - Kult Country
7. Satanic Black Devotion - Soft Pink Truth
8. Sarcofago Live - Mountain Goats
9. Common Thread - John Steel Singers
10. Without a Face - Luluc
11.Below the Pines - Northern arms
12. When Love it Starts Leaving - Robyn G Shiels
13 Tremendous Misery Sets In - Music Blues
14. Terrified - Rural Alberta Advantage
15. Super Rat - Honeyblood
16. Unhand Me - The Wharves
17. Sat in your Lap - Vomitface
18. Cry Baby Cry - Prom
19. Tears of Joy - Slow Club
20. Water me - FKA twigs
21. Game Love - Gulp
22. New born - Sounds of Sputnik feat. Ummagma
23. Ice Fortress - Trans Am
24. Bassy - the Hertz Complex
25. Grace - Zola Blood
26. My Girl Comes to the City - Castanets
27. Eye of the Pearl - Quilt
28. A Place you Return to in a Dream - Field Mouse
29. The Wind Blows Through their Skulls - Beastmilk
30. Anglerfish - Dog! Paper! Submarine!
31. Fire in the City - Bob Mould
32. 501-415- Allah Las
33. Mirrorball - Nisennenmondai

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Tuesday, August 05, 2014

The best new albums of the month, July 2014

Traditionally July is a fallow period for new releases, but this year I had no trouble finding ten albums to recommend. In fact, I would be surprised if a few of these didn't appear in this blog's end of year round-up.

King Creosote 'From Scotland With Love'
Even though this is essentially the soundtrack to a lovely film made from archive footage of Scotland's recent past, it is also the follow up to the masterpiece that was 'Diamond Mine'. It certainly differs from the KC of old; lo-fi methods are cast aside in favour of lush production and some beautiful string arrangements. The songs themselves are by turns happy, sad, poetic and reflective. A perfect companion to the visuals it was made for, but also a collection that ranks amongst his very best work.



Shabazz Palaces 'Lese Majesty'
Eighteen songs over seven 'suites' loosely based on sci-fi might sound a bit prog-rock, and it's certainly a challenging listen, taking a sideways step from the excellent 'Black Up' but delivering something no less thrilling.
Exactly as their recent London show suggested, Shabazz Palaces have a certain skill of reeling you in and overwhelming you with their woozy, psychedelic hip-hop without you really even noticing. They just creep up on you and before you know it you are hooked.


Luluc 'Passerby'
Some may know Luluc from the National's ATP line-up or from last year's Nick Drake tribute, but they have kept such a low profile since their debut came out in 2008. This second album is released by Sub Pop, produced by Aaron Dessner from the National and contains a selection of lovely yet mostly melancholic, Nick Drake-influenced songs. It's perhaps ironic that the title is 'Passerby' as I found it took a few listens to really get into. In the end the impressive, seemingly effortless harmonies won me over.


Comet Gain 'Paperback Ghosts'
Surely one of the most under-rated UK bands of the last 20 years, Comet Gain have been plugging away since the heady days of Wiiija records in the mid 90s, releasing fine albums every few years or so. This is their eighth album and it often sees them in more reflective mode, taking the foot off the gas on their Northern Soul/ indie-pop sound to pause and look around them. This could be the most beautiful record they have made.


Honeyblood 'Honeyblood'
I've had this debut from these "noisy Scottish girls" for a while now, and it's starting to sound like one of the debuts of the year. That slightly self-deprecating description of themselves doesn't to do justice to the quality of the songwriting here. They sit well with the new feisty alt country vocalists like Caitlin Rose and Angel Olsen, whilst still coming across as a cracking indie-rock band.



Wolves in the Throne Room 'Celestite'
On this album, WITTR's estrangement from the world of metal becomes almost permanent, as they continue to explore the atmospheric synth-based pieces which have led some people to compare them to the likes of Popul Vuh and even Tangerine Dream. Indeed this could be a soundtrack from some lost, or yet to be made, Werner Herzog film.



Alvvays 'Alvvays'
Whilst there is nothing new on this debut by Alvvays (it is of course pronounced Always) their melodic indie-pop is hugely enjoyable. I bet this collection of songs will form the soundtrack to may people's summers this year. Up there with the aforementioned Honeyblood as one of the best debuts in this genre for ages.


The Soft Walls 'No Time'
As I often say on here, there are simply too many acts like this around - psychy garage-rock acts who are in awe of what has gone on decades before. Happily, 'No Time' has enough quality to stand out and plenty of tricks up its sleeve - noisy interludes, old school drum machines, and some hissing drones that could have been mined from the mid-70s and Suicide. It certainly doesn't sound like a side project, although it is essentially a solo album by Dan Reeves from Cold Pumas


Gulp 'Season Sun'
Nearly two years on from their first single 'Game Love' (it's the opening track here), Gulp's debut album continues in the same psychedelic folk-pop vein. The haunting folk-tinged vocals of Lindsey Leven are central to it all and she has written all the material with her partner Guto Pryce (former Super Furries bassist). A summer album with a twist, as the pretty tunes sit side by side with some woozy psychedelia.


Slow Club 'Complete Surrender'
When I first heard the remarkable title track I thought we were set for a change of direction from this duo, but overall the album is more of a steady progression from 2011's 'Paradise' rather than a huge leap into mainstream pop. That title track is a masterful pop song though, as is 'Tears of Joy', and the inevitable shift from their folk-pop beginnings to something resembling indie-soul is pretty exciting.

Tuesday, July 08, 2014

The best new albums of the month, June 2014

Parquet Courts 'Sunbathing Animal'
Parquet Courts haven't messed with the nineties-slacker vibe they perfected on their breakthrough second album 'Light Up Gold'. This carries on where that left off, and if anything shows further development in their songwriting. Still weighted down with obvious influences, but this time Jonathan Richman casts a heavier shadow than the likes of Pavement.




Eaux 'Plastics'
my review (the 405)
"Eaux's music uses the machinery of pop and is, at its heart, a female vocal over a synth backing. There is much more to it though, and the further you dig in, the more puzzling and intriguing it can become. On this debut album Plastics they bend and mould electronic pop into something delightfully strange."



Fucked Up 'Glass Boys'
It was always going to be a challenge to follow up the excellent and ambitious David Comes To Life, and the first few listens to Glass Boys suggest that it hasn't quite got there. Their layers of guitars sound as glorious as ever and the lyrics reveal more on each play, so your patience may be rewarded.


The Soft Pink Truth 'Why Do The Heathen Rage?'
A fascinatingly odd album wherein Matmos's Drew Daniel reversions some of his favourite songs by black metal bands (Venom, Sarcofago, etc) into house/techno friendly slices of electronica. The results are occasionally amusing and at times brilliant. 'Ready to Fuck' sees guest vocalist Jenn Wasner (Wye Oak) soulfully intoning "stand up to see my penetrating hammer". You shouldn't need any further prompting to check this out.




Smallgang 'San'
Perhaps a more ambitious album than their debut 'Trespasses', Smallgang are still working within the realm of classic indie-rock and post-hardcore. They flirt with the relationship between noise and melody throughout, and the presence of occasional female guest vocals add another layer to their sound.


Bob Mould 'Beauty and Ruin'
The intriguing cover image features Mould now and also in his Husker Du heyday, as if his past is haunting him. Musically, this album belies the passage of time and whilst it wouldn't quite fit with the Husker's output, it would sit nicely between, say, 'Workbook' and Sugar. It's a pretty take on melodic indie-rock, in other words.



Happyness 'Weird Little Birthday'
I expect this one to grow on me even more as the months pass. This London three piece have made a lovely debut album that is warm, woozy and at times weird. Like Parquet Courts above, this is in debt to 90's American indie, but it has an originality that makes it worth investigating.




Clipping 'CLPPNG'
A refreshingly original take on hip-hop. Producers William Hutson and Jonathan Snipes explore some edgy and unique backgrounds (including the superbly grating 'Get Up' where the music is just an alarm clock beep) whilst rapper Daveed Diggs creates a third person narrative to accompany these. As someone perceptive spotted, there is a reason why the "I" is removed from the title.




OOIOO 'Gamel'
For this OOIOO release, Yoshimi creates a series of psychedelic pieces - sometimes proggy and sometimes pretty - based around the gamelan. This has the same relentless trance-like rhythms and sparse, haunted vocals of her other band Boredoms, but here their legendary overload has been replaced by something more delicate.



Guided by Voices 'Cool Planet'
Yet another album from the non-stop reformed GBV. This one is more psychedelic and sketchy than recent releases, and all the better for it. Tobin Sprout comes to the fore on quite a few tracks as well.