Archive Interview: Prolapse

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Around twenty years ago, our fanzine The Weedbus did an end of year Readers' Poll, as we thought we were the NME or something. Anyway, Prolapse won the Best Band category fair and square so we chased them for an interview. We usually did interviews in person with bands when they visited Belfast, or sometimes their press people sorted out "phoners" for us, but with Prolapse we decided to conduct it via the Royal Mail, with written communication from our PO Box to theirs. This took ages, and if I recall it properly, it only really took shape when Linda started coordinating the band's replies. The results are below, it's quite fanziney, a bit silly, and I'm pleased to say they answered some of our questions with their tounge firmly in cheek, but I'm posting it here for posterity. We never did get Scottish Mick's replies....

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this interview was published in the Weedbus issue 12, May 1997

Winners of our last substantial reader's poll, Prolapse are returning to the public eye with a fantastic new single 'Killing the Bland' and an album due in September on Radar records, owned by Warner Brothers. With the help of vocalist Linda I managed to get most of the band to complete a postal interview - apart from Scottish Mick that is, whose answers may appear at a later date! Otherwise it all went smoothly, so here are the results....

How did the band first get together?
Mick (bass): "In 1979 myself, Tim (drums), Scottish Mick (vocalist) and Pat (guitar) were fishing for squid just off the boundary surrounding Ben Nevis. Pat caught three squids and a girl called Linda who despite being covered in coral and sharks teeth was singing a very good version of 'Don't Slip Up' by Meat Whiplash. Scottish Mick only succeeded in catching a bag of eels, Tim caught loads of plankton (which he still has in a jam jar). I was having a bad day, I only caught an amoeba called Dave Jeffries. Prolapse was formed."

Why did you only issue one album on Cherry Red ('Pointless Walks to Dismal Places' 1995)?
Pat: "The label discovered that my brother had been in the infamous Cherry Red outfit The Tights!"
Dave: "They had a dramatic reshuffle and all of their bands fell out of the pack."

Since then Lissy's has been releasing most of your material - what's the set up there?
D: "Lissy's is run by Jamie from the Rough Trade Shop in Covent Garden and basically he puts out records that he likes."
Linda: "Jamie gave us a few fivers to record a single for his label and we ended up recording a whole album ('Backsaturday') by accident."

Would you rather release one-off singles or albums?
L: "Six and two threes - they both have good and bad points."
D: "I don't buy singles and I would like to think that we're able to do both, but I'm not sure that we're capable of either!"

You've now signed a 'proper' deal with Radar, who are owned by Warner Brothers. How is this going to affect things?
L: "We wouldn't sign if there was a whiff of us getting pushed into anything. There would be no point."
D: "We don't know. They seem pretty open to us as an entity. Artistic control is pretty important, but record companies have product to sell, so... let's wait and see, eh?"

What are your immediate plans?
D: "We're in the studio working on the new album with Donald Ross Skinner (ex- Julian Cope, Baba Louie) and plans are to tour pretty soon."

What annoys you about the current music scene?
L: "Anything to do with corporate manipulation."
D: "Where do I start? Most of the music, the national music press, the touring agent competition, the London-centredness as usual."
P: "The current music scene is mainly either bland or ultra-conservative or both."

What inspires you about the current music scene?
P: "One of the things is that at least people are more likely to listen to a broad range of influences - from Tibetan throat music to Lee Hazelwood."
D: "I'm supposed to say something about the way in which the DIY ethic is coming back and Bis are getting on TOTP even without a record deal. However, it doesn't mean anything to me personally and beware of what you read about Bis 'cos they had a huge publishing deal before their much publicised TOTP appearance."
L: "Really what inspires me is the occasional gig/ single which makes me go I LOVE THIS - ie Broadcast/ The Yummy Fur (gigs) and those two Tiger singles, among (few) others."

Are there any current bands you particularly rate?
L: "As well as Broadcast, the Yummy Fur, Tiger, there's Stereolab, Papas Fritas... shit I hate questions like this cos my mind goes blank!"
P: "Gorky's Zygotic Mynci, Stereolab."
D: "Apart from Stereolab and a great band called Juno, there's not much worth shouting about. Drum n bass is best - in patches mind!"

What about influences? Tell us what you think of the constant Fall/ Stereolab/ Krautrock comparisons.
P: "Musically I think the comparisons are reasonable. I personally listen to a lot of Krautrock stuff - I can remember my brother's band doing a cover of 'Hero' by Neu!"
D: "All three are an influence on me personally, but it needs to be said that Prolapse were listening to Kraut stuff at the same time as Stereolab and before they started releasing records."
L: "All Prolapse people have different influences. Don't know what mine are but I'd hazard a guess at Dusty Springfield/ Kim Gordon/ loony bin inmates. As for the Stereolab/ Krautrock thing - we and Stereolab are different interpretations of similar influences so it's slightly peeving when people say 'Prolapse are influenced by Stereolab' cos that makes us a different generation which isn't the case. We LOVE Stereolab - but we are their spiritual cousins, not their proteges... or something."

Your onstage tension, particularly in 'Tina, This Is Matthew Stone' is semi-legendary. Do you all get on?
L: "Yes, but every member of the band has been in a fight with another member. Except Pat!"

Who is Matthew Stone anyway?
D: "Matthew Stone is the lead character, played by William Shatner, in a really bad film called 'Impulse'. He plays a psycho, though not very well."
P: "It's an amazingly bad film - it has to be seen to be believed."

There are a lot of European references in the songs - do you feel more European than British?
D: "I'm afraid to say I'm British despite being Welsh and having lived in Brussels and Dublin. I certainly think we're a very British band."
L: "I don't feel at all European. Europe's a funny old stick if you ask me."
P: "Usually, especially when touring abroad I realise there are some good things about Britain but mainly it's on a downward spiral. The anti-European stuff in the press and from politicians irritates me. You only have to go out on a Saturday night in Leicester to realise what a fucked-up country we're living in."

Finally, what are the best and worst things in life? Get the worst out of the way first!
P: "Kula Shaker, nightclubs, Jim Davidson, Birmingham New Street station, Man Utd, getting out of bed, marmalade, flying, loud music, ginger cake."
D: "Being in a band, seriously! Touring. Too many bad bands to mention. Not being able to spend all my time with my family."
M: "People who eat loudly, getting up early, Noel Edmonds, Ocean Colour Scene, baked bean stains on black jeans, food dribbling from mouths, halitosis, Robin Williams, Jeremy Beadle, Hitler, rich students, posters of blokes with babies, Elvis Presley, Frank Skinner, Suggs, Eric Hall, smell of vomit and crap, Neneh Cherry, Alanis Morrisette, the powdery scrapings at the end of a packet of Golden Virginia, being in Prolapse."
L: "Those moments when you think I HATE MYSELF AND I WANT TO POP MY CLOGS IF ONLY IT WASN'T SO PAINFUL/ MESSY/ EASY AND ANYWAY I MIGHT FEEL BETTER ONE DAY."

And the best?
D: "My family - partner Penny, daughter Ella (3 1/2), son Isaac (7 months). Art. 'Composition for 16 Musicians' Steve Reich, 'Ascension' John Coltrane, reading philosophy and generally being pretentious. Rolling Stones circa 1968- 1972."
P: "UK Gold, Guinness, Sandy Denny, Coronation Street, weasels, stoats and polecats, anything with a long body, piercing eyes and sharp teeth, Everton winning (rare, I admit), Bamboozle."
L: "Those moments when you think I LOVE THIS..."

Interview co-ordinated by Jonathan, with the help of Linda from the band

The best new albums of the month, April 2015 edition

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The Mountain Goats 'Beat The Champ' (Merge) buy | stream
It's incorrect to call this a return to form, because to be honest the Mountain Goats are always consistent. However, this (fifteenth!) album recalls the sound of 'Tallahassee' and 'The Sunset Tree' to an extent. It's musically varied with piano pieces, brass sections and their default setting of proper rock n roll power trio. It's a "concept" album of sorts, but delightfully, the subject is the world of pro-wrestling and specifically how it resonates through John Darnielle's childhood.

Colin Stetson and Sarah Neufeld 'Never were the way she was' (Constellation) buy | stream | my review (the 405)
"Billed as “original compositions for horn and violin”, the debut collaborative album from these two Montreal based musicians comes across as an impressive and experimental work, as they twist and manipulate their instruments to create something futuristic, not traditional. Sometimes they gel beautifully, and sometimes the tension between them adds drama and dynamics, bringing their instrumental music into sharp focus."

Colleen 'Captain of None' (Thrill Jockey) buy | stream
Perhaps better known for some beautiful ambient records over the last decade, Colleen has fallen in love with Jamaican music, and although Captain of None is still built around her viola-de-gamba playing, the dub effects, bass lines and the minimal lyrical touches underline the stylistic shift in her music. A worthwhile reinvention, albeit a subtle one. Read my interview with Colleen here (the 405)

Waxahatchee 'Ivy Tripp' (Merge/ Wichita) buy | stream
A more complex, slowburning record than her previous releases, Katie Cruchfield's latest under the Waxahatchee name is none the worse for that. A little more enigmatic than standard indie-rock fare, this rewards repeated listens. It's not all downbeat, and there is a fair dose of quality indie-pop goodness here too.

Built to Spill 'Untethered Moon' (ATP Recordings) buy | stream
I've been giving Built to Spill a wide berth these last few years. On the strength of this album I've been foolish as this isn't far off the heights of their cracking albums from the 90s. Doug Marsh's guitar parts are stellar.

Follakzoid 'III' (Sacred Bones) buy | stream
This Chilean bunch are learning and developing all the time. Their previous album ('II') was great but devotees of Krautrock or late 80s psych-rock would have found much of it familiar. 'III' sees them developing their electronic side over four lengthy tracks - it's less of a freak-out, more of a trance-like immersion - and the vocals are used sparingly, creeping up on you like a ghost in the mix.

GNOD 'Infinity Machines' (Rocket Recordings) buy | stream
There should be more bands, or collectives, or whatever they are, like GNOD. Here the Salford bunch extend themselves over triple vinyl - nearly two hours in length - and their blend of noise-rock, electronics and unhinged sax sounds as good as ever. More politicised and edgy than many other, wordier bands.

Young Fathers 'White Men are Black Men Too' (Big Dada) buy | stream
A fascinating multi-layered record, released with the tagline "file under rock and pop". It's much more than that - a huge mix of styles and genres, belying their pigeonhole as a hip-hop act. Some parts could almost be northern-soul floor fillers, whilst others touch on experimental noise-rock - it is at one moment catchy, and at another moment challenging - yet it is always rewarding.

Braids 'Deep in the Iris' (Arbutus) buy | stream
Another release which people are calling a change of direction. It's not really. Whereas their second album saw them change radically to swap swirling guitars for synths, this one is simply a progression from that. The big developments are in the delivery and the lyrics of Raphaelle Standell-Preston, at times brave and brilliant - check out 'Miniskirt' for example. Oh, and her voice still soars as well.

Ela Orleans 'Upper Hell' (HB) buy | stream
Perhaps surprisingly produced and released by Howie B, this new one from Glasgow-based, Polish born Ela Orleans is a thrilling slice of dark electronica. 'Upper Hell' is where Dante started his descent. This album flicks between spooky imaginary soundtrack music, catchy pop and downbeat atmospherics.

The best new albums of the month, March 2015 edition

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Lightning Bolt 'Fantasy Empire' (Thrill Jockey) buy | stream | my review (the 405)
"In the five years away from the studio they certainly haven't stagnated. Fantasy Empire is the sound of a band modifying their sound rather than totally changing direction and whilst their spontaneity may have been tempered by their new ways of recording, their intensity and creativity remains very much intact."

Bill Wells and Aidan Moffat 'The Most Important Place in the World' (Chemikal Underground) buy | stream
The second album from the genial Scotsmen, and a worthy follow-up to the excellent Everything's Getting Older. Bill's arrangements (from ballads to wild jazz) complement Aidan's poetic words so well, and the genuinely alarming 'Lock Up Your Lambs' comes across like an unplugged Liars. This album will be keeping me company all year.

Sufjan Stevens 'Carrie and Lowell' (asthmatic kitty) buy | stream |
Sufjan's other two masterpieces (Michigan and Illinois) were expansive and ambitious records, and Carrie & Lowell sits proudly beside them, although it is a much more personal introspective work, focusing on his long distance childhood relationship with his mum and step-Dad. It reveals new raw details with every listen, and it is heartbreakingly beautiful.

Godspeed You! Black Emperor 'Asunder, Sweet and Other Distress' (constellation) buy | stream |
Avid fans will recognise the music here as the centrepiece from their 2013 tour, aka 'Behemoth'. It has been honed into four sections and trimmed to a mere 40 minutes - very short for a GY!BE album. Worth noting that this is the first fruit from the post-reformation GY!BE, given that the previous album was material that existed before their hiatus, so it's interesting to note the absence of any voice samples. Now they sound heavier, leaner and still totally essential.

Pile 'You're Better Than This' (Exploding in Sound) buy | stream |
The third album from this New England based bunch sees them in rowdy form, with vocalist Rick Maguire on the edge of a tantrum throughout. Bizarre, imaginative lyrics and an unhinged energy to rival prime period Modest Mouse, Fugazi, Pixies, it's that kind of vibe. Juddering, erratic and a whole lot of fun.

Lower Dens 'Escape From Evil' (Ribbon Music/ Domino) buy | stream |my interview with Jana Hunter from Lower Dens (the 405)
A shift towards left field 80s influenced pop and slightly away from the overtly experimental leanings of predecessor Nootropics. Shades of Motorik and Berlin-era Bowie are evident, but ultimately this is a collection of finely crafted songs with depths and layers underneath that pop sheen.

Matthew E. White 'Fresh Blood' (Domino) buy | stream |
It's fair to say that this isn't a massive departure from Matthew's superlative debut Big Inner - the seventies soul feel, the big arrangements, and his laid-back delivery are all present and correct, and serve to show what a talent this guy is.

Lonelady 'Hinterland' (Warp) buy | stream |
This contains one of the best three-song runs on an album this year, with 'Bunkerpop', the title track and 'Groove it Out' throwing the knock-out punches. The rest is good, if a little samey, but this long overdue second album makes a bigger splash than her debut and proves that Julie Campbell is onto something special.

Modest Mouse 'Strangers to Ourselves' (Epic) buy | stream |
It's almost as if they made Strangers to Ourselves extra-long to make up for time away, and there is the suggestion that they are resting on their indie-rock laurels a little here, but there are enough highlights to keep their fans engaged. The eccentric songwriting of Isaac Brock is something worth cherishing.

Ghostpoet 'Shedding Skin' (PIAS) buy | stream |
This album move from Ghostpoet, as he has left behind electronics and Afrobeat and has chosen to work with a traditional guitar-bass-drums backing this time around. The reasons are cathartic as Shedding Skin is a break-up album and both the instrumentation and his detached vocal delivery suit the bleak mood and make a big emotional impression.

new music round-up #2

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If you are interested in these new music updates, then please follow us on Facebook. From the latter part of March we will posting tracks we like as we hear them - no need to wait for these monthly round-ups. Meanwhile, here are some selections which we stumbled upon recently.

Gazer
The name suggests yet another shoegaze act, but refreshingly Gazer lean more towards an energetic post-hardcore intensity. Hailing from Cincinnati "Fake Bulbs/Phone Commercial" collects their two most recent EPs. Shades of Big Black and even Lightning Bolt - well worth a listen.


Malojian
Malojian is the stage name of songwriter Stevie Scullion, from Northern Ireland, a fine purveyor of melodies and this strong tune is a taster from his forthcoming second album 'Southlands' [pre-order from the Pledge Music campaign here.] Malojian's debut 'The Deer's Cry' was widely acclaimed - and we reviewed it here


Meltybrains?
From some reason I had this Irish act pigeonholed my head as techno, but 'Donegal' and the flipside 'IV' are both packed full of ideas and are much harder to define, as their music encompasses the same sort of widescreen ambition found in the likes of These New Puritans, Talk Talk, and in particular, Luke Sutherland's old band Bows.


NRVSLVRS
San Francisco 6-piece cracking out some tasty, epic indie-rock in the TV on the Radio vein. Keen to hear more of these people. Their album 'The Golden West' will be out next week (March 16) Also check out their earlier single 'City Lights'


Andrea Balency
Franco-Mexican artist Andrea Balency has built on her 2014 buzz with a brand new EP entitled Volcano, which demonstrates sound very imaginative composition and production. It is a shame that FKA twigs got there a few months earlier, because really these artists have evolved independently and have arrived at a similar sound independently. This is lush, though.


The Chemistry Experiment
It has probably been the best part of a decade since I saw this prog-influenced Nottingham quintet live. This new single is taken from their ten-years-in-the-making second album Gongs Played By Voice and is a catchy slice of psych-pop.


The Machismos
A blast from the past here. Machismos is the project of Sam Marsh, once the singing drummer of good old Jacob's Mouse, and this is a re release of the previous single 'My Narghile' from their new upcoming album 'Britpop Fucked My Wife' in March. Love it (and I'm old enough to have the original 7")


Sasha Siem
Classically trained Anglo-Norwegian music Sasha Siem is gearing up to release her debut album Most of the Boys. She has previously worked as a composer but this is her first "rock" release. I was going to say traditional rock release but it is nothing of the sort, as it takes wildly imaginiative leaps into non-conventional songwriting, in the playful spirit of the likes of Laurie Anderson and Tom Waits.


Taman Shud
Over the years I've been inclined to take most band's self-descriptions with a pinch of salt, but Taman Shud call themselves "Blackened psychedelic motorcycle punk" and I reckon that is spot on. There is a Middle Eastern feel to this - their name is Persian after all - and overall it has an intense tantric quality.


Acre Tarn
Acre Tarn is the electronic music project from Anna-Louisa Etherington, a singer/producer originally from the Lake District. Her music comes across as a dreamy ethereal version of left-field pop, not a million miles away from Grimes's material. In an ideal world this would be in the charts, there's even a hookladen chorus.





The best new albums of the month, February 2015 edition

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Spectres 'Dying' (Sonic Cathedral) Spotify buy
my review (the 405)
"Although there are many revivalist bands being tagged as shoegaze and psych-rock, none of them are using their music as an aural assault weapon in the way Spectres are. Dying may appear to have a ominous bleakness about it on the surface, but it soon becomes clear that this is an urgent, cathartic and downright exciting listen."

Sir Richard Bishop 'Tangier Sessions' (Drag City) listen/buy
my review (the 405)
"It is important to remember that Tangier Sessions does not sound like someone indulging themselves just because they got a new guitar. These improvised pieces are intricate and certainly stand up to repeated listens, and the album makes a good companion piece to Bishop's previous, rather fine, acoustic recordings."

Duke Garwood 'Heavy Love' (Heavenly) Spotify
my review (the 405)
"There is a great sense of space, songs seem to just hang in the air - and Duke's playing and vocal style is raw and dry and earthy.... The way that Garwood has executed this moody and atmospheric take on the blues reminds me of parts of the later Talk Talk albums or maybe even the last Bad Seeds record. This music has an antique heart and, instead of having lots of modern crap plastered on top of it, it has been lovingly restored."

A Place to Bury Strangers 'Transfixiation' (Dead Oceans) Spotify buy
Recapturing the energy of their first two albums, yet managing to bend their noise into something slightly different. They have thought about how to progress whilst still working within the same parameters. They still echo early JAMC in places, but this time the walls of sound aren't as fuzzy, instead they are as sharp and as hard as a diamond.

Public Service Broadcasting 'The Race For Space' (Test Card Recordings) Spotify buy
The first challenge was to prove that they weren't a gimmick, that their penchant for mining archive voices could continue for another full album. They've certainly succeeded at that, as this is a far stronger album than the debut, the material works well as a set, and those samples are used to tell a story (basically the space race of the 60s). The likes of 'Fire in the Sky' and 'the Other Side' are just two of the shivers-up-the-spine moments of drama here. A genuinely moving piece of work.

Cat's Eyes 'The Duke of Burgundy OST' (RAF/ Caroline) Spotify
Faris Badwan (of the Horrors) and Rachel Zeffira move away from their alt-rock roots to create this beautiful set of atmospheric music written for Peter Strickland's film. He also directed Berberian Sound Studio, and the music here has some of the eerieness of Broadcast's score for BSS, although it sounds more folk-based and organic. At times Rachel recalls Francoise Hardy. Shades of late night creepy 70s telly, psych-folk and even Mozart on the requiem piece.

Sea Change 'Breakage' Spotify buy
my review (the 405)
The stage name of Ellen A.W. Sundes, who wrote and recorded this debut album alone in her Oslo bedroom. Despite this – or maybe because of this – Breakage sounds great, Endre Kirkesola's mix is lush and multi-layered and the songs are dynamic, well-crafted and immersive. Sundes may well have chosen to name herself after Beck's beautifully downbeat album Sea Change, but the fact that she has chosen to work within the field of synth-pop means that it she isn't simply following on its coat-tails. It is fair to say that, where the Beck opus created a distinctly woozy melancholic mood, Sea Change's debut full length definitely captures a similar mood.


H Hawkline 'In The Pink of Condition' (Heavenly) Spotify
For his Heavenly debut, the Cardiff boy has relocated to LA and delivered this fine collection of psych-pop gems. His partner Cate Le Bon is on board as producer (last time I saw each of them they were in each other's bands too) and the resulting mix of deft and tuneful indie-rock will please fans of both. In some ways this is Mug Museum's other half (and remember what I thought of that gem).

Dan Deacon 'Gliss Riffer' (Domino) Spotify
This threw me a little. After the majestic ambition of 'America' on first listen this sounded like. at best, a side-step. It seemed too busy and cluttered and I wasn't sure about the vocals, but as it developed it started to make more sense, and the final two tracks, where he gets into a solid post-rock electronica groove (could almost be Battles) are what swayed me in the end. Dan would always get the benefit of the doubt anyway, as he is a force of nature and a musical treasure!

Eternal Tapestry 'Wild Strawberries' (Thrill Jockey) Spotify buy
A long slow trip through the world of psychedelic rock, recorded in a secluded cabin under the shadow of Mount Hood in Zigzag, Oregon. The track names are all from plants specific to the region. Languid improvised guitar parts, snaky melodies and some tape trickery as well.




In an effort to get the monthly retrospectives up in a decent time, I have to admit defeat in trying to hear everything. This time my oversight is the new Six Organs of Admittance album, which I don't have yet, and I should also add that if the new album by the Unthanks is as good as the title track, then it should've crept into this list too.

my #mwe experience: how a hashtag inspired me to explore other genres

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At the beginning of February I spotted a few tweets from other music writers which used the hashtag "mwe". It turned out that they were talking about a twitter project (#mwe) called Music Writer Exercise. It was the brainchild of Gary Suarez (@noyokoono) and the idea was a simple one - pick an album you've never heard, listen to it once, and then review it in a single tweet.
I was interested. It sounded like a challenge - my regular reviews are 500 words after all - and even better, it would break my listening away from the constant deluge of new releases which arrive daily. I didn't start properly until Feb 2nd, and although I included the new Disappears album on Feb 1st as I got it that day, I resolved to steer clear of new releases and explore some older music which I had missed.

Now, a dumb thing to do would be to collate the succinct tweets composed as part of #mwe into a single blog post, as that would destroy the whole point of the project, so instead I decided to write about what I gained from the task.
I resolved to explore not just bands which I hadn't heard, but whole genres that I was in the dark about. So indie-rock, post-punk, psych-folk and electronica were side-stepped in favour of some classic albums plucked out of the 1001 Albums to Hear Before You Die book (due to time factor they had to be on Spotify), and a pile of cheap CDs that I got last year in an HMV which was closing down. I reckon I can die happy without hearing a Frank Sinatra or Red Hot Chili Peppers album all the way through, so I did use some quality control when selecting items from the book, although ultimately I felt I needed to explore the worlds of country, soul, R'n'B as well some classic "names" who I was ignorant of (Rundgren, Fairport, The Dead).

Over the course of the month, I put my previous prejudices to one side and opened my ears, as I discovered that Alice Cooper was once the name of the band not the frontman and they sounded a bit like Syd Barrett, that the Electric Prunes and the Style Council were both worse than I expected, and that Circle Jerks were a way better punk band than Bad Brains - in my knee-jerk twitter opinion that is, of course. Slowdive's Pygmalion did not come across as the classic which I was led to believe it was, but Zappa's Lumpy Gravy, Madvillain's Madvillainy and Dr John's Gris-gris had me scratching my head, thinking why had I never heard these albums before? Loads of twitter folk joined in with the challenge, and I hope they all had as much fun as I did.

Listening order below, tweets at twitter.com/slowthrills

1. Irreal - Disappears (2015)
2. Phaedra – Tangerine Dream (1974)
3. I Never Loved a Man the Way I Loved You – Aretha Franklin (1967)
4. Gris Gris – Dr John (1968)
5. I Against I – Bad Brains (1986)
6. Something/Anything? - Todd Rundgren (1972)
7. Eternally Yours – the Saints (1978)
8. Group sex- Circle Jerks (1980)
9. Pygmalion - Slowdive (1995)
10. Phrenology – the Roots (2002)
11. I Know What Love Isn't - Jens Lekman (2013)
12. Jack Frost - Jack Frost (1991)
13. Trust Now - Prince Rama (2011)
14. Krull Bol - This is the Kit (2008)
15. The Electric Prunes - The Electric Prunes (1967)
16. De-loused in the Crematorium – Mars Volta (2003)
17. Get Lost - Mark McGuire (2011)
18. Eden - Everything but the Girl (1984)
19. Wave Like Home - Future Islands (2008)
20. Unhalfbricking – Fairport Convention (1969)
21. Talking Timbuktu – Al Farka Toure & Ry Cooder (1994)
22. Mama’s Gun – Erykah Badu (2000)
23. Pretties for You - Alice Cooper (1969)
24. American Beauty - the Grateful Dead (1970)
25. Café Bleu – Style Council (1984)
26. Car Wheels on a Gravel Road – Lucinda Williams (1998)
27. Madvillainy - Madvillain (2004)
28. Lumpy Gravy - Frank Zappa (1967)




new music round-up #1

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It has been a feature of this site over the past two years that the monthly album reviews have dominated proceedings. Unfortunately this does not reflect the large amount of new music we get sent, so, in order to keep on top of this we have decided to put together a regular post that picks some of the best new/ self-released/ unsigned material that we stumble across - either from our busy inbox or elsewhere. Here is the first instalment...

The Tamborines (link)
A Brazilian duo based in London about to release their second album 'Sea Of Murmur' on their own Beat-Mo records, and it promises to be a little quieter and more melodic than the swirling fuzz of their debut. 'Indian Hill' is the first track to emerge from it, and it's pretty good teaser for what is to come.


Föllakzoid (link)
This is the band who got labelled 'krautrock from Chile' when their second album brought them to a wider audience a couple of years ago. This taster from the forthcoming follow-up is an exciting progression from that sound and shows their love of minimal electronica.


Sharks' Teeth (link)
The prolific Sharks’ Teeth began in 2009 as an outlet for the solo recordings of Tyler Scurlock, songwriter and guitarist of New Orleans indie band, Sun Hotel. 'Jade Oscilloscope Screen' is a track from the forthcoming cassette release ‘Wissenschaftslehre IV or Opinion Crisis’ which is the latest in the series of ambient recordings.


Young Guv (link)
Young Guv is Ben Cook, who is best known as one of the guitarists in Fucked Up, but this taster for his forthcoming solo debut is way more POP than you could possibly imagine. Think Prince, the Cars, Cheap Trick.


Rosenthal (link)
This lot had a couple of decent releases last year, and the forthcoming single 'Heart' should turn even more heads. From Copenhagen, this is dreamy indie-pop somewhere between New Order and The xx.


K-X-P (link)
Who remembers Op:L Bastards? Well two of that acclaimed Finnish band have continued to work together under the name K-X-P, and Space Precious Time is the first track to emerge from their forthcoming album 'III Part One'. An odd yet infectious tune that manages to combine industrial beats with space-rock drones.


Craig Scott's Lobotomy (link)
It is a constant moan of mine that there isn't enough genuinely unusual music being made, and also that there are precious few outlets for it to be heard as well. Well this release is certainly unusual - an album with little regard for genre or conventional song structures and tempos. People may file this under jazz or avant-garde, but really it is in a league of its own.


Grubby Mitts (link)
This band features the acclaimed UK visual artist Andy Holden and this is a taste of their forthcoming album which has taken so long to complete (eight years I think), they have taken to describing it as "Part anthology, part debut album". Lots of depth and experimentation here.


This Heel (link)
This Heel is a new collection of songs from the Malmö band Dog, Paper, Submarine's frontman Martin Månsson Sjöstrand. Although a lo-fi solo project (Martin played everything on the record), fans of Dog, Paper, Submarine should enjoy this EP, as it contains four short sharp tracks of melodic and fuzzy indie-rock.