Thursday, January 27, 2005

REVIEW: The House of Love Belfast Limelight 26th January 2005

I passed a personal landmark tonight. I last time I saw the House of Love was in March 1990, nearly fifteen years ago, easily the longest time between seeing two gigs by the same band. (The Go-Betweens had previously held the honour, but 1989 to 2000 was only a paltry eleven years!)
Despite this being the first show of their reunion tour, and it was also the first time that Guy Chadwick and Terry Bickers had been on stage together since 1989 following his hasty dismissal from the band in the middle of one of their tours, the venue isn't as busy as I would have expected.
What did I expect though? There is a new album due very soon so I expected them to play a lot from it, I thought they would revisit their first two albums because of Bickers involvement with them, and that would be it.
I was right. We heard a lot of new material, some of it simple gentle songs which pass you by on first listen, some of it genuinely interesting new music. I will definitely be checking it out. One surprising thing was the whole no-budget aspect to this tour. They have little in the way of backline amps, the drummer has a huge bend in one of his cymbals, and strangest of all Guy and Terry seem to be sharing a guitar tuner! I couldn't really say if they were getting on together or not, Chadwick doesn't give a lot away on stage, and Bickers does most of the talking to the audience. It's great to see them back up there though and impressively Chadwick's voice sounds richer and deeper than I remembered it, and the new song which starts with their joint vocal harmonies is one of the real highlights.
Most people who will have googled for this review will be searching for information on what old songs made it into the set. 'Hope' and 'Christine' are the only ones to surface in the early part of the 90 minute set, but as the show draws to a conclusion we get 'The Beatles and the Stones', a slightly subdued 'Salome', and the absolute highlight was 'Love in a Car'. The crowd pleasing 'Shine On' and a lovely 'Man to Child' are the only others which I recognise.
I enjoyed the show, but I got the feeling that some people came away disappointed - there was no 'Destroy the Heart' by the way - but ultimately I was reminded tonight what a great songwriter Chadwick can be. If this was a new band in their early 20s touting these songs around the music biz would be creaming themselves. As it is, the House of Love are too long gone for most people to remember, and too out of time to gain a new audience. But for us thirty somethings who were there the first time around, this was a long overdue reminder of their talent.

Wednesday, January 26, 2005

Dusting off the House of Love
Yes, tonight sees the live return of the House of Love (Guy Chadwick AND Terry Bickers!) in Belfast, preceding their new album next month. I've just spent the morning digging out my old House of Love records and going through them to refresh my memory - I do not own a single moment of their music on CD! They were one of the first bands I ever saw live (early 1989 QUB) and their first album in particular turned me on to a lot of other bands around at the time (MBV in particular). Listening to it today I'm impressed how well the songs have held up -'Love in a Car' was just a revelation, I had forgotten how great that was. As well as the well known songs ('Christine') here's also the frantic paced stuff like 'Salome' and the gentler songs like 'Man To Child'. I would love to hear some of these tonight, and if the new material is in the same vein, bring it on!

Tuesday, January 18, 2005

REVIEW: 22-20s
Belfast Limelight
17th January 2005

It's perhaps fitting that, in this new year when we find ourselves looking forward to shows from the House of Love, Wedding Present, Slint and Gang of Four, the first new live band that I see this year is the 22-20s. They are a band unashamedly in love with the past, yet due to the success of bands like them (White Stripes, Kings of Leon), they also manage to sound oddly contemporary.
For the first time in many years, I had that buzz of going into a venue without ever hearing the headline band before. I knew roughly what to expect, and to be honest I wasn't actually thinking I was going to enjoy it, but some of their more intense moments really impressed me.
Their music is rooted in 60s British RnB and pop (the Bluesbreakers, the Kinks, the early Stones) and it is a relief when that they take the spirit of a lot of those bands and go somewhere with it. It's too easy to take the Stones as your main influence and end up sounding like Lenny Kravitz, and thankfully the 22-20s manage to avoid that.
I'm new to their material but I found myself liking the slower, more intense tunes better. These reminded me of more twisted punkier blues-based groups like the Gun Club or Green on Red, though that may just be my ignorant first impressions looking for a nail to hang them on.

Thursday, January 13, 2005

Best Scottish Band of All Time result
The List magazine have announced the votes of their poll to anme the best Scottish act of all time [link here]. I was surprised but pleased to find Belle and Sebastian at number 1, and also surprised by the diverse list - Bay City Rollers, bis and the Mull Historical Society all shockingly high up, the Blue Nile and the Cocteaus disgracefully low. Still, 12000 votes is a great response to any poll.
My vote would have included Cocteau Twins, Belle and Sebastian, Teenage Fanclub, Arab Strap, Jesus and Mary Chain, the Blue Nile, Beta Band, Delgados, Mogwai, the Pastels, Primal Scream and Altered Images. How come Lloyd Cole and the Comotions don't count and Snow Patrol do?

Tuesday, January 04, 2005

TV PREVIEW: The Fall: The Wonderful And Frightening World Of Mark E Smith
blurb follows....

The Fall: The Wonderful And Frightening World Of Mark E Smith
21st January 2005
9.00pm BBC FOUR
BBC FOUR focuses on one of England’s truly unique and under-rated bands - The Fall in this special documentary. One of the most enigmatic, idiosyncratic and chaotic garage bands of the last 30 years, The Fall are lead by the belligerent and poetic Mark E Smith and grew out of the fringe of the Manchester punk scene and to date have released in excess of three dozen albums, toured relentlessly, inspired two successful stage plays, recorded 24 Peel Sessions, performed with contemporary ballet dancer Michael Clarke along with various spoken word events. All this has happened under the guidance of Smith with various line-ups currently totalling over 40 different members. They have never conformed to fashion or musical trends and when asked why they were his favourite band, John Peel replied “They are always different, they are always the same.” This is the first time that Mark E Smith has agreed to the story being told on television and he along with many of the major players take us through this unique English rock 'n' roll story.

Their rollercoaster story is told alongside footage of their most recent and sadly now last Peel Session recorded in August at the legendary BBC Maida Vale studios, there is also film of John playing out the session at Peel Acres a week later. Contributors include past and present band members including Marc Riley, Una Baines, Steve Hanley, Ben Pritchard and Eleni Smith plus thoughts from key fans/critics including Paul Morley, Tony Wilson, Stewart Lee, promoter Alan Wise, original Buzzcocks manager Richard Boon and Franz Ferdinand.


Saturday, January 01, 2005

2004: a few final words


Highs: the music and the overall experience of the Festival International de Benicassim in Spain in August - great music, great atmosphere, great weather; getting to see Kraftwerk at last;
revisiting Venice in September and exploring the backstreets;
visiting Florence for the first time and catching on quickly that there was more to it than queueing for galleries;
Olafur Eliason's 'Weather Project' at Tate Modern, London - smoke and mirrors on a large scale;
Mark Kozelek holding us spellbound for a couple of hours in Dublin;
Patti Smith and her band in small scale in the Elmwood Hall in Belfast;
BBC Music Live being based in Northern Ireland in May, especially great to have 6Music on FM for six weeks;
the four-venue free festival that was the first night of BelFEST, not forgetting the fact that there is a new venue in town -the Spring and Airbrake;
American Music Club reformed, Brian Wilson's 'Smile' was released, and there was just so much new music around, and so much diversity that it almost became a bad thing!
reading: Jeffrey Eugenides -'Middlesex', Paul Auster -'The Book of Illusions', DBC Piere - 'Vernon God Little'
watching/ re-watching: Lost in Translation, the Three Colours trilogy, the Sopranos, Shameless, Mulholland Drive, Twin Peaks box set, 21 Grams, Shaun of the Dead, Channel 4's Peepshow.

Low: the death of John Peel in late October was a huge blow, things just won't be the same anymore.